Great
monolithic slabs of luminescence rise high towards the heavens, and as they
loom above our Babel, we gaze long up at them in a reverential wonder.
Flickering, rippling across their surfaces are images of that which we can buy
for the souls that we sell. Behind the screens men and women tethered to more
screens, fingers tapping away as pincers on insects, ants scrabbling at bits of
sand to build grander super-structures for make benefit some long forgotten
queen. Their eyes reflect colours great and beautiful, neon light and steel and
glass and bits and pieces of forgotten history painting out the landscape of
the city, all born out to hide a concrete infrastructure looming large and ugly
beneath the fragile, gilded surface of restless abandon and loud, throbbing
music.
Young
people skip as happy idiots through the streets arms clutched round each other
tight, clothes made out of the materials born of icy machines thrashing up and
down long into the night, their minds and souls and very spirits consumed by
the plunging, crunching parasite these nights all worship. Empty bottles
shatter on the asphalt’s soul sucking blackness as we pray to gods we stopped
believing in when our ancestors discovered the cold cathode.
They’d do
best to remember those old gods though, tonight above all nights, before all
nights, for tonight is the syzygy, when the cosmos comes into weird alignment
and square peg into round hole falls and we slip long over that precipice that
finer men call sanity and the rest of us call happiness.
According
to the dictionary the old woman with the tritium lights threaded through her
hair has encoded deep into her brains, a syzygy is a time when all that weird
cosmic alignment holds itself up for our gaze and we all get a little broken.
Tonight’s the night when I sleep under a roof though I know all these
behemothic structures my fellow man forces their souls prisoners to are on the
verge of collapse down on their heads, but I forget to care because this is the
night of the syzygy.
So a Vagrant
walks into a bar, punchline, roll on snare drum but no one laughs because the
moon and the sun are in alignment and that old woman says that ain’t never
supposed to happen. The bouncer simply nods though I look younger than he
because my eyes betray the truth my skin and hair do not. Pierced through his
right eyebrow is a little tube of green light. I wonder at how he sleeps.
All the
faces are illuminated cold sterile blue neon tones. The music is tripping over
itself in a rush to get out the door, but then it loops back and a voice
implores us some long-gone message of love, its beats harsh and broken, run a
few times through an auditory meat grinder. I set myself down at the bar and
the bartender gets me a drink that I figure I don’t have the money to pay for
because why would I, but then a woman comes up behind me and offers to pay.
Before she can the bartender says the drink is free for such a good customer,
though I never before have laid eyes upon his face, not in this life.
She sits
down next to me and unto her eyes I am swallowed up big amber pots of honey
reminding me of some beautiful creature I saw once upon a mural, before they
painted over all the murals because cleaner is better and society forgets about
the beautiful in the name of the perfect. Her skin is pure white milk and clean
as the city tries to be, hair long and straight and dark, and I feel as though
I am falling into some dark spot on a dying sun.
We sit and
look at each other and talk little clipped off phrases - pronunciations about
lives no one lives outside of those big screens outside. She touches a hand to
my face. It’s warm against my cheek, in direct opposition to the skin’s
porcelain tone. Then she asks if I want to take her to bed and I tell her I
can’t afford her and she looks offended but I say its my soul that can’t afford
love in this time for that which the syzygy gives it will also take away. Her
eyes go a little crazy and she says something about fucking myself with a glass
bottle and I tell her that’s just how it goes. Then she takes my hand and asks
me to walk with her and I feel light headed but I tell her no, I have my reason
for this place on this night amongst all, and she leaves on her own, slightly
dejected.
And as the
door takes her into the night, a gentle pitter patter of rain drops across
polished stainless steel washes in, accompanied by hiss imperceptible to all
but a dog’s ear, telling the forgotten tail of spit fire falling from the sky
in punishment for our sins, and with the raindrops come five men in long
leather jackets and dour looks, walking a little funny on one side,
compensating a weight that feels itself out in more than simple ounces. The man
in front’s hair is bleached the color of sand when sand was still the colour of
bleach, before the pollution came and the war made it stay, before nature
burned itself out trying to keep up with us, a time when we took a simple
pleasure in lying in the sun by the sea. As I remember what it is I am here to
do, my thoughts turn to whether this mere boy ever truly saw the sea, not just
the tar black oil slick that feeds the shipping lines running into this land of
empty, echoing steel, and I consider that he probably has not, and I feel the
subtlest tingle of a bug landing on the back of my hand, despair, at this
consideration. They feel the weight under their arms but they know not how to
use it. Broker has long made assurances such as that, but tonight is the syzygy
and tonight is the night on which I challenge Broker finally and forever.
My hand reaches
under my own coat, tattered, frayed, broken, patched together as lives after a
great flood. I feel cold steel between my fingers and as it leaves its nest
under my arm, I feel my hand naturally snap to its form, a fly to shit, each
contour of its grim structure designed, shaped, formed, around the idea of my
hand, the idea of the few hundred grams of pressure I shall soon exert over and
over until the air smells of sulphur and iron, and my ears ring and the men in
long coats’ ears ring nevermore. I see the barman hit the floor and I see five
hands reach for their own coats but too slow.
My hand is
out and the gun with it and already I squeeze the trigger even as my left hand
moves into cup and saucer, and my body turns to center axis relock, and I hear
fire and men scream and I see blood leap up in shade absurd under harsh club
light, even the pounding music not enough to mask the carnage, man and steel
reforged as one, and I squeeze and aim, squeeze and aim, and blood is now
painting wet and sticky the floor, and the bleach blonde hair is the colour of
October sky. Yet one man screams out, holds his knee, like the palm of his hand
can pull back in the blood and bone that is doing its best to leave him, and I
level my gun and pull the trigger quiet and slow, action reaction, consequences
forgotten on this night of vicious symmetry, beginning and ending with blood.
The barman stands and looks to me.
“Vagrant.”
“That is as
I am called.”
“Vagrant,
what the fuck have you done?”
“As had to
be done.”
“Broker is
gonna lose it...”
“As he
should. Do not worry. I will kill him.”
“You can’t
just fucking kill Broker, you know what happens then, Jesus Vagrant, you used
to be a professional, man.”
“And I
thought you no longer recognized me. I have not been a professional since
Broker took my profession.”
I walk
outside and I see a man, and behind the man is a car, and in the man’s hands is
a rifle, enough bullets to cut a man to pieces bite sized for the carrion, and
then the man is on the ground screaming for the bullet in his gut and he casts
his rifle away, and I pick it up.
“Driver.”
“Driver.”
“What the
fuck do you want, Vagrant.”
“I’m
working again, Driver, and you’re going to call Widow and tell her I just
killed her son, and that Corporate hired me.”
“Vagrant,
Jesus, that’s going to start...” he grimaces for the life leaking out of him
“Start a god damned war.”
“Of
course.”
“Broker...”
“Broker...”
“That name
only carries power for men with a past to be exposed, for secrets to be
revealed. I am a simple man. I am flesh and steel come together to draw out
blood.”
“What about
the rest of us... you son of a bitch...”
“Make the
call.”
And as I
took his rifle, I take his car, and I know the war will begin, exactly as I
hoped, exactly as I planned. This is the night of the syzygy, when normal men
take total leave of sense, in favor of the carnal, prehistoric truth, us, our
great megalopolis despite, no more than neanderthals pawing about in the dark,
long branches sharpened to points, hunting mammoths though we know they may
trample us under foot.
Out on the
streets of the city the car slips smooth, lithe, as again steel formed into
flesh through the hand and mind, a fusion of electrical impulse and grander
design. The city spreads out around me and I see cars racing towards the drop
bar in whence I just slaughtered a half dozen sons and fathers and lovers and
leather coats, police cars armed into tanks, long black sedans with stony faced
shooters ready to meet a maker they had forgotten in favor of sex and pills,
long night dopamine dumps, thrusting and pushing, fucking and sucking and
licking and throbbing, pulsing. I wonder at the grand cosmic weirdness of it
all - the firing of electrons and the breaking and reformation of atomic bonds
across millions of billions of trillions of eons built up and down again, stars
born and died across galaxies of a number unknowable, all pieces of some great
scheme or the pure essence of random absurdity, all built behind this moment
just before a grand explosion of violence under the star’s alignment called the
syzygy.
I pull the
car out onto the freeway and echoing stark miles down the road away from me is
the Edge, Broker’s great watchtower, his skyscraper looking out over the city,
home of many things unknown to me but one that is, and that is Broker, a man
whose very name seems to grant even this city’s biggest psychopaths the
whispered fear of children speaking of the monsters that lay beneath their
beds, but here there is no father figure to lift up the bed skirt and look,
here the only one left allowed to stand truly is Broker, and Broker is no hero.
Two hundred stories, the outside of every one a screen, one great canvas upon
which Broker may paint his threats, on which he promises this city its peace,
its prosperity, in exchange for only its fear, its subservience, its life
blood.
The great
screen crackles to life with a hum palpable at the deepest marrow root of my
skeletal structure even yet a few miles out, through every piece of steel and
glass and cement that builds this place, past every hazy boozed out oblivion,
down every stoned state of existential bliss, every needle and snort, every
orgasm, a hum felt in all our hearts and minds for we know that Broker is about
to speak, and when Broker speaks, you’d best listen, lest you too fall prey to
his omnipotent wrath, his cyberactive vengeance. The screen crackles to life,
and we all watch, and we all listen, for in this screen is every screen, every
phone and television and computer and tablet, for that is part of the deal, in
exchange for our peace he takes our screens as his own face, his own Orwellian
vengeance. Not that he needs to watch, not that he bothers to watch, because
the promise of him is enough, because our eyes are all too glued to his face to
dare oppose him.
The great
screen crackles to life and upon it is his face, angular and handsome, eyes
bitingly intelligent, all other features ageless, and out of the face comes a
voice that is also a post horn and also the word of god.
“Tonight, I
hear gun fire rattling down our streets. It must stop. You have six hours to
restore peace, through arrest, blood, or negotiation, before I fulfill the
promise I made when first you met me. I ask that all citizens stay indoors,
stay safe, and allow the men of violence to solve this violence themselves.”
So it is
with Broker, simple statements, quiet threats, uttered as promises, claims of
peace born only at the cost of war, but what is peace without the threat of
war, what is love without hate, art without carnage, beauty without shit, where
once this city was the world’s crowning achievement, perfect collusion of the
yin and the yang, the great and the terrible, now it is a place of people
barely living under a constant shroud of fear.
Before
Broker I was a cog in the city’s undying superstructure, one gear turning
another so that the grand machine may never stop, violence to bring about peace
and peace in fear of violence, art and beauty born of struggle and chaos. I
killed men for a living because that was what I was paid to do, because in the
city before the Broker it was a job that needed doing. Before the Broker the
old woman that spoke to me of the syzygy was a muralist, painting the most
beautiful things across forgot swathes of steel and concrete, but now no one
dares to vandalize what the Broker calls his creation.
Before the
Broker, this city had two masters, Widow, who took her throne after her husband
died, and Corporate, a cold, even headed man, exercising violence only as a
matter of necessity. Corporate owned me because he paid better, but in that
city loyalty extended no farther than a paycheck. No one really noticed Broker
at first, when he was just a petty dealer of information, a way to get a cop
who wanted desperately to be straight back into the fold, to keep activists in
line, to make sure a judge kept your man out of jail, kept you out of jail. He
was as the rest of us, a pusher of a particular product, drugs or women or
death or information, all products, all the same. We forgot, though, that
information is different, information is powerful, information is a spider
spreading its web across a void until naught can pass through for fear of
becoming ensnared. We thought he gathered information as requested of him, but
really he was gathering everything on all of us, for every man, woman, and child
in the city, he knows a secret, deadly, destructive, the sort of thing that
would make life very hard to live if it got out.
Corporate
and Widow and ten thousand angry foot soldiers on each side saw it happen, and
together they conspired to kill the one that whispered in back alleys, under
bridges, in dingy bars late at night, was being named Broker. But Broker knew,
just as he knew all the rest, and his proclamation was simple - if ever he
should die in any circumstances not strictly natural, it would all be revealed,
every secret great and terrible.
Then the
proclamation was extended, and he declared a war on violence, and any who tried
to make a new war, a real war, a war of blood and flesh and steel, their
secrets would be released and they would be undone. And we all thought he was
crazy, but, despite, the fighting stopped, and all the city’s crime came direct
under his control, and if you broke the law it was only with his express
permission.
And then
those of us who were told to kill was to live were suddenly without job. Some
moved back into the fray, got real jobs because Broker left no other course.
But not me. I couldn’t bear the straight life, the drugs and the booze just to
get through. And that is when I became Vagrant.
I find the
car that belongs to a man quite likely now dead in front of the Edge, for in
the fusion of flesh and steel that so defines us, the motions of driving, the
thought process of navigation, have become fused to firing of cylinders and the
tight squeeze of brake pads against rubber. The building up above me rises and
I see the people of the book turning their eyes to god, but their god answered
back in that past threats, their god saw violence’s purpose for its own sake,
recognized the great fallacy of eternal peace in a breed cast in a crucible
moulded of the penicillin promise of eternal war.
The Edge’s
face is a sheer, rippling black with the screens off, interrupted only by
occasional spotlights, rendering it ever visible across the endless expanse of
concrete that it reigns over, stretching up into the low hanging smog. The
lights in the lobby are on and a dozen men and women stand tense and sweating,
their flesh clinging tight to high calibre, high capacity assault weapons, but
they know as well as I do that, if rumors of Vagrant’s return are as founded as
I know them to be, then this can only end with their blood spread across the
sparkling tile floor. I reload my pistol and grab the rifle off the seat beside
me, step out of the car, the rain pawing at my face, warm with the transient
heat of the city’s streets, washing off the layer of grime that finds itself an
essential part of the life I have chosen, and I am renewed, as again I find my
purpose.
The doors
slide open for me automatically, and I consider that maybe if they’d been
locked, the job I have to do would not be done so easily, or its basic process
would be delayed, but it is too late for that now as I raise my rifle and a
body hits the floor in a roar of fire as blood leaps from its chest and face in
a squelching, squirting fountain, and all at once there is a cacophony of
gunfire, and I find myself running ducking, rolling, aiming shooting, and a
man’s face vanishes across the room, and I throw myself over the reception
counter and a woman is there too, her with a shotgun, but my knife is through
her throat before she can cry out, and her blood mists across my face as the
rain, the noise is deafening, but it’s been many years since I noticed the
sound, the blood, just now me and steel as one, and bodies on the floor and
screams of men because that is one thing you can never cease to notice, and all
at once is a blessed silence, and I look out around me at an array of bodies
and I think to myself that they all were deluded by Broker into thinking they
lived in an age of peace, and in a gift beyond the lead I taught them the
essential un-truth of this assertion.
I ponder
briefly how I might scale the tower now that those few that once absurdly
called themselves security now lay dead, and I think of two hundred flights of
stairs, and I think of the twelve labours of Heracles, battle fought long and
hard against lion of unimaginable size, when guns were just a fever dream of
men who deigned to call themselves heroes despite a gut clenched desire against
the rending of flesh from bone. I cut the heads off a hydra only to have them
grow back, a continued struggle as proof of my quest’s righteousness. Chase a
stag that can run faster than my bullets may fly. As I ponder driving a boar
into the snow, in a time when snowfall is long forgotten to a past a few
essential degrees colder, a sleek panel opens across the room and I see an
elevator, and with that I know Broker is ready to face me, come what may.
The back
wall of the elevator is wrought in glass, and through it I watch the city
stretch impossible away, tumbling out ever further in that which was once
countryside but is now just further reaches of the endless swallowing expanse
of light and energy, the day by day more infinite expanse of Broker’s land. As
I fly upwards at a speed that feels an affront to god’s laws of gravity, I
wonder at the lives spread out below, all the secrets and lies that define
them, that, in the hands of Broker, cage them and keep them. I think of all
this and I think of how, in just a few moments, every last one of those dirty
little secrets will be known to all the world, the moment that Broker lies dead
by my bullet, in death fulfilling his last promise to the city, his promise of
total truth. What freedom will they then have, knowing that all their darkest
angles are known to all, that they are no longer held prisoner to the vampiric
urges of past sins that refuse to die. On this night of the syzygy, the rules
of our reality, the basic physical laws that define this city, shall be undone,
and force will become equal to past times willpower, no longer a simple matter
of mass and acceleration, the gazelle will preside over the lion by way of the
bullet, the grand old war between Widow and Corporate shall begin anew, and all
of us workless killers shall once again have their place and purpose.
The halt in
motion is sudden, sharp, unnerving, and I know it is my time. As the doors
slide open, I drop the rifle to the ground beside me, its magazine exhausted,
and draw my sidearm. The place that the doors welcome me into is like no world
I’ve ever believed in before, a space echoing, cavernous, but not empty. Only
Broker would build a crown like this, walls all glass, city stretched out in
every direction, but more than that, this is a server room like I’ve never
seen, a dozen tanks on either side of a central walkway full of hulking pieces
of blinking, flashing steel, suspended in cooled oil, the sort of vanity
project that only one with the endless money, power, of Broker would ever consider,
all the oil illuminated from below with a radioactive green. At the far end of
the room lies a desk, and sitting behind it is Broker. I advance towards him, a
distance of easily a hundred metres. I raise my gun, hold it steady, and, as I
approach, a young woman comes out from behind a desk and I consider that she
does not appear as expected, but I care not, in her eyes I see the one that we
have long called Broker. Icy, steely grey, the flat, intimidating, clinical
metallic glint of a CPU cover, of clouds on a day promising acid rain, of the
cold, broken, metal that stands in place of people across this city, eyes the
color of death.
“So, I
suppose you’re Vagrant.” I keep walking towards her. “You need to stop this,
now. Before you do something stupid, something you’ll regret.” I don’t stop.
“Wait, just fucking wait, listen to what I have to stay!” I’m still closing
distance and I’m just a few feet from her. “Wait, Jesus Christ, wait, please,
none of this is what you think!” She’s crying now as I point my gun at her
chest and I squeeze the trigger, and she clutches the hole in her middle, blood
pouring out across the floor, once cleaned with clinical precision, and pitches
backwards into one of the server tanks. Her body floats towards the window, and
Broker again looks out over her city, neon lights and cold steel for as far as
the idea of man exists, a hundred million faces alit with a hundred million
screens. Tomorrow again I shall work, even as the city burns out bright for
what may be one final tonight. Tonight, the old woman’s prophecy has held true
- the syzygy came into being and that which it wrought can never be undone.
This passes
through my mind, as the floor around me begins to rumble, the oil becomes of
magma, and I smell something I have never smelled before. The ideal height at
which to drop a hydrogen bomb approximates to 550 metres above the surface of
the earth. At this altitude, the effects of the bomb will be widest spread, the
burst of light and subsequent atomic fires allowed to ripple out across the
surface of the earth, burning through all that stands in their wake, flesh or
steel or concrete, unstoppable, endless, true power, true freedom, true god,
and I remember that the Edge stands too at 550 metres, and I need not wonder at
this grand coincidence, need no longer ponder the purpose of oil cooled
servers, for I know their meaning, the great divinations of architecture and
nuclear physics conducted long ago, one perfect master plan, a great proof at
man’s inherent failure, his lust to sow only violence, even in the face of his
own destruction. In this moment, I love Broker, respect Broker, one stronger
than Widow, smarter than Corporate. My eyes tear up not in sadness or horror,
but in absolute wonder at the lesson we shall all learn in consequence of my
careful bullet.
This is the
truth of the syzygy, when nothing is as it seems because it never amounted to
anything anyway, and the greatest light in a city of blinding brightness shall
be not neon or halogen or compact fluorescent, but atomic.
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