Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Friday, 2 October 2015

Falling in Love is Easy, Being in Love is Hard, Chapter I | Alexander T. Damle

Falling in Love is Easy, Being in Love is Hard

First Chapter - My Name on a Car
            Out the window he (His name is Emile, he is 28 years old, and, last year, his second novel was written up by the New York Times as the “New Great American Novel.” He suffers from anxiety and depression, which becomes particularly crippling during periods of extended social interaction, in large group scenarios, and when speaking to red heads with dimples. His sole sexual experience occurred his senior year of college, with the ensuing panic attack leading to him dropping out of university. He has since developed an exhaustive interest in pornography, which has persuaded him to leave sex well enough alone, for sanity’s sake) sees a single star, this great lost soul, found himself out here for the stars and yet they now are enshrouden perpetually by clouds. In the perfect darkness of rural living, all appears as black, the night lit instead by computer screen alone, pulsing against cornea.
            The complex processes of love, distilled a simplest gesture, they call it online dating, but isn’t it really just socially approved judgment of one’s peers? A like or a pass, a yes or a no (a binary choice?), a hundred million women all possessed of beauties, great and small, slight and magnificent, legion and lonesome, all but none, suggestions of what he could have, can this really be the way to love, a yes or no to a blank-faced screen? Or is this but a crutch, for those too unable to approach the processes in person, content instead to leave out the middleman (shitty parties, late night bars?), but the process made all the more vapid in their simplification. He asks and answers at once, yet still onwards he presses.
            She of red hair, likes hiking and camping, staring at the stars, and from them what meaning does she derive? God, perhaps? The idea of her hints at something that he wishes, at heart, to be an inevitability, and even if the profile hides the reasons why she is as impossible as all the pretty faces yet passed by, some step forwards will end always in a step back, tripping table topped, she just doesn’t respond or for some reason or none it just doesn’t work out, this time and the next time and last time.
            And he asks himself why he’s here, and how? And he doesn’t have an answer, though he lusts for one, an answer, and much else. He reminds himself he’s happy (enough). That, when he plays the game, he’s not, so he should just give up, let himself succumb to his own contentment.
            He remembers a birthday party he went to once. An important one. A post-university graduation, pre-real life birthday. Not his, no. Five people were there. One not by choice, one the celebration’s centre. It cut him deep, this birthday, a friend left with nothing in the end - not the end of all things, not yet, but the end of much which once mattered, that which once flowed against the end of all things. Where will he stand at all his endings yet to come, where was he at those that have passed him by already? Will he have to stand alone, left only with his skies and his car, this desert, so chosen for its artifices of meaning, love not had, or may yet one appear before him to grant him someone to stand beside?
            And then his inbox pings and he gets a shot of dopamine, a rat in some cheap college experiment (what makes us happy, and why is it MDMA?), the simple suggestion in amongst the void self-created of someone out there thinking of him.
“Hey man,
Saw this and thought of you. LOL.
- Marco”
Then a link, apostates.com, a miniscule twitch of muscle, subconscious, then a click, unnoticed for the familiarity, not so dissimilar to waking mid-winter, frost on the window, bed warmed by another, or, alternatively, high summer, the bed comfortably cool, for its loneliness. An expansion of color, not bright or overwhelming, chosen instead for its simple eye catching boldness, and a header proclaiming “The online anti-dating service for those trying to just get the family off their back.”
And he wonders again how he found himself here. He is reminded (quietly) of why.

A family, man and woman older, 60s, early 70s, and four their juniors, one early twenties, the other three late (one hand held under the table with the other, their eyes hinting most slightly at something a fool might term Love), set across from one another at a long table, visions of their cross-wise partner obfuscated by decadent candelabras, place settings of silver and silk, money and time long past, contrasted colours, white table cloths, china, each the five wear deep colours tuned for a dance, and walls set similar shade behind the rippling afterbirth at candle-light edge except where interrupted by windows, gothic, (American?), looking out on a snow ensnared woodscape, Fairytale without a happy ending, the snow yet coming down, hard and fast, steep angle, and yet behind them, a Christmas tree, lit up a dozen colors, and this should break the mood, but, somehow, it just reinforces the general atmosphere of a place escaped from a time long gone.
She (her name is Emily, she is 28 years old, the company she founded one of the most valuable in the world, and she has had sex twice, the first time with a high school sweetheart who she promptly dumped, never to speak to again, the second drunk with a freshman, she just on the cusp of graduation, no, it’s not that she doesn’t enjoy sex, and no, she’s not a fucking lesbian, stop asking, it’s just that, well she’s 28 years old, is the wealthiest woman in the world, is not in the technology business, but the East India Company for the modern age, empire building business, and, really, she can masturbate can’t she? She has things on her mind more important than sex.)
“So Emily, how are things with Jeremy?”
“Jeremy?”
            “Yes dear, the boy you were seeing last... last uh...” the next words tumble forth slightly choked from her mother’s slight lips “last Christmas.”
            “Oh, yeah, Jeremy... sweet Jeremy...”
            “You broke up didn’t you?” Her dad never much bothered with subtlety.
            “Yeah.”
            “Oh, honey, he seemed so nice...”
            “You never met him.”
            “No, but...” Emily primes her tongue to move and her lips to separate, but her father, he cuts a glance across the table and it stabs straight into her heart and her tongue, and the truth is bit back.
Silence hangs quite foreboding, as a dead man, over the table, and none the five dare utter a syllable. Outwith the home, steel and glass and concrete (a suggestion at something?), wind whips hard, nature trying to reclaim the human soul, maybe, or simply a vaguest of hints that judgement is coming, given time.
“Well dear, you must remember, you are getting older, and there are things more important in life than, well, your career.”
“Yeah, like what mom?”
“Not to be too on the nose about this, but, really I think what I’m getting at here is love. No need to rename the wheel, as they say.”
“They don’t though.”
“Don’t be a pedant. You understand my point. You won’t always be so young and pretty.”
“Really?”        
“Really what, dear?” Her siblings, they trade glances, nervous like, they already found some sort of love, even passing thought it may be, this but an eternal precondition, an expectation signed on the dotted line along with all the other terms and conditions, and this temporary love, well it keeps their parents at bay, even as it keeps their parents together, and her brother, he thinks maybe what he could do if he was not so bound, a motorcycle against an empty, endless horizon. That, or a bottle of JD every night, as before she saved him, or so he must keep repeating over and over and over against the dark night shone in, this particular night illuminated piss yellow.

            He remembers back, as he looks over the web page, to an evening past, steering his car through desert night, back tires slipping occasionally on sand as he takes turns well past 70, it built from mere scrap with his own hands, grease and oil spilled across them, the act of building something, My Name on a Car, should be a song title (probably is), we own only that which we understand down on some deeper level, past intuition, beyond vestiges of love or devotion or carnal knowledge, down to the fundamentals of creation. But shouldn’t, then, all parents, understand perfect their children? He knows at heart this is not true and can never be true and will never be true (So honey, are you seeing anybody? No, I’m fucking not, now will you just leave me the fuck alone and never talk to me again? But of course he can’t say that...). He lacks children of blood and guts, so he loves and understands onto his car what most fail to understand onto their spawn. The love, though? The love is always the question, and doesn’t he love enough? And not the car, no, but he has his people, eccentric though they may be, a Jazz drummer in Tokyo afraid of the quiet, playing long into the night, faster and louder ever on, so that may never have that perfect loneliness that comes in the silence, the motorcycle racer from Rome loved seemingly by every woman he sets his sights on, but each night holds a revolver to her own head, daring his deepest self to just pull the damn trigger, even the alcoholic old junkyard man, famed by all his fellow drunkards and wastrels for his intelligence so immense as to lay low the basic desperation of his own existence, he knows them and he loves them, and is this love not enough? This great carnival of freakery, and he their oft-disappeared ring leader.
            In front of him, an about page, usually unnecessary on these online dating sites, it doesn’t take any time getting to the truth - “Apostates.com is a different kind of online ‘dating service,’ designed for those of us tired of the constant notion that a romantic relationship is the be all and end all of existence. It is, instead, a service to find individuals with similar views on relationships, and make arrangements by which to convince particularly over involved family members that you are, indeed, in a healthy relationship. Apostates.com is not a dating site. Instead, think of your fellow site users as partners in the grand battle against our social conditioning which suggests that romantic love is an absolute.”
            Then, the requisite “Try free for 30 days.” Damn. Tinder and Okcupid get on fine on advertising revenue and premium subscriptions, why can’t this... but, he supposes, their service is more particular, more niche, like his junkyard philosopher preaching to those well and truly committed to the one-two punch of solipsism and nihilism, not just as an idea, but a lifestyle, a prison break for the self-imprisoned.
            He begins entering his personal information, and, with his free hand he taps out a bass beat playing wildly through his head, slamming its way across an old jazz record. His hi-fi system lays silent, but the mind creates what the mind creates and for him, that is often enough, and, more often still, far too much.

            They set around a room far too empty (clean lines, Mom once said), the TV buzzing away contentedly pride of place on the mantlepiece, as all the rest sit far too quiet, glancing furtively to one another, as if something is about to go fast wrong, but what they don’t know. It can’t though, this is Home and Home is safe and comfortable, right? Especially now, Christmas tree lighting up faces un-cherubic in tones of mirth but the fake needles they are white, because, again Mom said, it is cleaner, and outside the wind is whipping harder, and Emily glances out but the view lies cloaked entirely now. She wonders what she could see out there, whether any dare venture out, to seek the utter isolation of a world past our own pre-conditions for existence.
            The TV crackles none the louder, but the following she hears, above the usual babble -
            “In China, the new Simian Flu virus continues to spread, confounding all efforts by the government to contain this deadly new disease. The official death toll stands at 2.3 million in just six short months, although independent observers estimate the actual number at as high as eight million. As the death toll continues to rise, the control of the Communist party continues to crumble, prompting rumors of an imminent coupe.
            Elsewhere, economists have estimated that, this year, the value of the Euro fell a full 22%, leading to a mass-devaluing of the government debt of much of western Europe, not to mention an almost unheard of rise in unemployment.
            While the United States has thus far avoided the most direct effects of what many are terming the “year from hell,” the decline of our European and Chinese economic allies pose serious risks for the future of the American econo...” The face flashes out and Emily’s quickly cuts over to a remote stood extended out from body, straight, aimed like gun to head, her mother’s face behind it, normally sharp eyes dulled slightly by a few extra glasses of wine at dinner.
            “Enough of that.” Her mother’s voice is curt.
            “I was watching.”
            “We’re spending time together as a family. We don’t need the TV on for that.”
            “No one’s talking.” Her mother mumbles something, but she doesn’t catch it. The silence freezes over once more and none can move but for the thick layer of ice that has crept under the window sill, across the floor, up the legs of the furniture, and across their bodies.
            Though many they wear smiles, slight though they may be, inwards they grimace, they cry, they demand of God himself for a way out, an escape from this great, immortal cage. Her little brother, well he asks to be set free, for his car’s tires to give out on a patch of black ice, the flecks of snow hurtling in perpendicular against his vision, headlights crossing out trees and an occasional flicker of what may be asphalt or just maybe death bringer, it now legion, and in this moment he wonders what he will truly see, in the place into which now he cries. He wonders if she would have loved him if he’d just tried that one bit harder, if he’d been richer, dressed better, another layer of muscles, another wry smile, another well timed joke, but he knows she didn’t and that’s what matters. He can hope all he wants for another shot, and this is what he sees in the place on which he smiles, but inwards all he can see is the sliding asphalt, and a tomorrow of darkness.
            He will live another fifteen years. The road won’t take him, not quite, but the pills that will take first his soul will claim his body once that clock runs down.
            Her dad, well, he’s already had his great tragedy, and now he ages with dignity, for dignity is all he has left. He was still just a kid when he got in that car (death and automobiles - a great American theme?) and he was still just a kid when his best friend’s brains were sprayed all over his leather jacket, and then he was never a kid again. When he got out of the hospital a few months later, he married his childhood sweetheart, and he always said that was the best day of his life, but that was an outright lie. It was someone’s best day, and someone’s worst, someone's long forgotten hurts. For him, it was just another day passed behind a shroud, a certain part of him, a part that could still feel bests lost back in the passenger seat of a Buick. But he’s here now, and he knows that Buick has long been reclaimed by a junkyard on some forgotten patch of earth, tucked maybe in between pine trees in some little town, run by the great unknown philosopher of our age. And that rusted out hull of the old car, maybe someday a forgotten artist who lies long under the stars, his own escape from the cage, will find it and build something that can roar out once more. And maybe those dreams of being a kid will be not so forgotten as he rips long through the desert. Maybe the ideal will come out once more, and the wind will whip once more through the cabin, the strains of some sad Springsteen song blasting out of the radio. Or maybe the hulk will rest forever there, settling deeper and deeper into the sands until it is forgotten forever to time.
            “Look honey, we just don’t want you to look back on this time in your life and, well, wish you’d found someone.”
            “Why don’t my brothers get this speech? They aren’t married.” Her mother smiles wryly.
            “It’s not about marriage.”
            “What’s it about then?”
            “Trying.”
            The tactility of memory is a unremarked upon condition, but do you not occasionally have one of those memories best described with that simple word, and does the simple re-experiencing of it not destroy the present a little further? The sort of memory that makes the imagined past more of a place than the present, like you could pull open its walls and step straight through, into a different existence where, it seems, through the strange drug of misplaced recollection, everything is okay, and if you could just step so far back, you could make everything okay forever more. The memories, once you begin to consider them come at you scattershot, laying in your bedroom with friends just feeling the texture of carpet after taking Ecstasy, hanging out in a back room in high school reminiscing about the future you just know you’ll have, driving fast across back roads, loud music blowing out your eardrums (there you go, the road again), considering your infinite freedom, considering how easy it would be to turn for Mexico and just go, forever on, south until the Americas run themselves out, an only alternative to the inevitable path, down a hill sloping just a little more each day downwards. You also remember being small and walking with your parents through your woods somewhere. It is near dead silent, and you are at peace. This last memory though crumbles at the seams and dark smoke begins to crowd inwards, and you consider whether maybe you dreamed it.


Sunday, 26 July 2015

Fake Empire | Alexander T. Damle


            In the end we all fall apart. A few missteps too many, a miscalculation, a wrong turn on the wrong road. A grand cosmic conspiracy against us all from birth, supernova swirls of cinnamon and honey, ether in a deep void as we all fall apart every waking moment of every waking life.
            I knew as I walked into that liquor store with a beretta under my arm tonight was my tonight to fall apart but I didn’t know what else to do so I did it. I knew I might get caught, I knew the take wouldn’t be great, but I knew I needed the money so I did it. What I didn’t expect was the shotgun from under the counter, the clerk’s blood on the bottles of good tequila behind him.
            From there, I expected a sentence, harsh, murder, probably murder one, and I expected I would deserve it.
            What I didn’t expect was being made an example out of. Mistakes, sure, but that doesn’t make me stupid. So when the prosecutor argued that the violence of my case was particularly egregious, particularly brutal and cold and uncaring I was lost. But then I knew it was quite a time since the last death penalty conviction here, so I figured the prosecutor was just trying to make points for some upcoming election. He said some other things but only now do I understand them but that doesn’t matter.
            When the sentencing came, I braced for the worst, for life, for death, for anything but what I got. A new technique, the judge said, for convicts who demonstrated particular psychological conditions. I didn’t know what that meant but I think I do now.
            The last of the free men. I once knew a man who called me one of the last of the free men.
            Free from what? I asked him.
            I never worked a real job. Never payed taxes. Never bought a house, never had a loan or a mortgage, never got married. Not for me. Freedom, that was my game. Even if I had to buy my freedom with a gun
            But then the judge said the words, and that was my fate, only fifteen years, it seemed easy. I didn’t understand what he meant when he said it was an alternative sort of prison.
            Appeal was rejected.
            First they took measurements. I asked and no one gave me a straight answer and many didn’t look at me.
            Then one night I got taken from my cell and driven by one whose eyes stayed on the roads, a guard with an AR-15, me alone on the bus but for the watchers.
            The building was not like other prisons. There was a guard, but he didn’t look like a prison guard. He looked bored, not the sociopathic eyes that I’d grown accustomed to. He led me down a corridor all in white.
            At corridor's end two more men met us. They sat me down in a chair, and one of them stuck me with a needle and it all went dark.
            Those were the last faces and I remember them, every acne scar and sunspot, every mole and fleck of hair, every gesture and facial contortion. Every millimeter. Because those were the last. Right before the needle went in one of them said almost silent
            Sorry.
            When I came to I wasn’t sure I came to. All was white, flat, unshining, pure. I tried to move, and found my body paralyzed. I felt as though I was lying down, but unsure on what. I tried to turn my head and found it firmly affixed in place. I tried to tell how far from my eyes the white in front of me was but I couldn’t and can’t.
            And that was all I’ve seen and felt since those last faces, at least in the traditional sense.
            For the first period, I tried to mark time, but found myself increasingly unable. I tried to talk, but couldn’t hear the words mouth formed, and figured this was some mechanization of whatever held my head and holds it still.
            I tried to count inside my head, but without sound I couldn’t focus, couldn’t understand even the idea of the words within my head. I tried to make the numbers the only thing in my mind, but every so often my thoughts would wander and if they wandered slightly they wandered completely. I tried to hear, strained myself, realized I could hear static, a TV mistuned.
            I think it was hours but it may have been minutes and then I see the first images and I’m not sure if a time has passed or not since then beyond moments but I saw an image and I see an image, not before me, not between eyes and white, but within, at first simple, horses racing fast across a great field of green underneath vast snowcapped mountains.
            I try to find a reality or unreality to define what I see but I can’t then I hear their hooves clobbering the earth below and I don’t feel it in me but I know the feeling and that is as good as feeling.
            The horses they reach the side of a stream, and they stop and they all drink of the water and I feel it trickle cool down my throat, and I feel the warmth of the sun beating down on the back of my neck, my bare arms, I run my hand through the coat of a nearby beast and it runs as silk in between my fingers and I’m carried back to youth, riding low across the Montana sky, the flesh of two creatures made as one, country unkept by the rider or the landowner or God himself and the animal responds to me as my own muscle. The mountains that beat down upon and around us stretch upwards to the lower reaches of the heavens and they too become as one, then we’re heading fast in towards a little ranch home set out amongst the endless nowhere, and I think I see a face in the window then again all I see is white and all I hear is static.
            I read once somewhere that in conditions of total sensory deprivation, human beings will often experience vivid waking visual and auditory hallucinations.
            They will also lose time.
            Experience a psychological disconnect.
            Lose the self.
            The past.
            A future
            hope
            even short term memory and understanding
and
            time
            and you slip and fall and you can’t get up and it’s raining down on the roof and
            a car pulls up and you get out and there is a gun in your hand and then there isn’t and blood

            wait
            stop
            focus
            can’t lose yourself. think. find a line. follow it
a path
            a way to think
            something to think about
            picture someone, something, somewhere
            It’s January and the night is cold.
            You’re cold or are you warm is it hot are you dressed are you naked are you free or are you caged are you here or are you nowhere how long have you been here or were you never here shapes and colors simulacran forms drift in through those supernova ether pipe dreams pills and tabs and strange smokes and
FOCUS
It’s January and the night is cold, Christmas lights all around you, you’re spinning in circles, you skate around a rink, faces flash by melting together and apart all at once a hundred eyes and smiles, dimples, cheeks red, laughter and the sounds of sweet classical music, Brahms, maybe. You see repeated as you skate by a girl in a red hat and you ponder why then you remember the girl with you, tall, blonde, her hand in yours and you look at her and you smile at each other, and you stumble but she catches you and you mouth her name to her, to yourself and then she smirks.
            “What, need to remind yourself the name of the girl you just kissed?”
            wait, wait, none of this is real what the fuck what the fuck I can’t talk to you because you aren’t real none of this is real and the white is before you again and again with the droning on buzz
            the girl, I knew her, when I was just a kid, I even thought I loved her I think but she’s not here anymore I think she might even be dead or maybe I’m dead I can’t remember, but why did I see her, her of all people, here, the end of all things, here where there is only pain.
            Remember. Stop. I have to stop my own mind, draw it to a halt before me, a carriage. A horse and carriage.
            Another night, this one warm, May, maybe April, and I’m dressed well, a suit jacket with coat tails, top hat, gloves, and across from me is a handsome man dressed with the same 200 year old style as myself, and I think I’ve known a part of him, but not this part. We’re both laughing and I feel a little bit drunk, that wonderful stage of tipsy right before your mind stops working. He begins to speak, and I follow, though I know not how.
            “Oh, and did you see that redhead! Her breasts, my my!”
            “Redhead, oh you and your redheads, always the redheads. If I didn’t know you better, I’d say you had a weakness for the Irish stock.”
            “Hah, well, Catholic girls, you know what they say.”
            “You may, I prefer higher company.”
            “Higher company? Oh please, I saw that brunette you were with, Marie - I’m sure you know the rumors.”
            “Please, I’m sure if she truly slept with a woman they weren’t completely nude.”
            “Haha, you must stay away from those artistic types - they are all so, well, you know!”
            Then our carriage comes out from the woods the horses carry us through, and our driver glances back at us briefly, his features old and refined. The air rushes by and I feel it pull at the hair of my mustache, pinch at my cheeks.
            All around us are stars, then we are crossing a bridge, and I see mansions on a not so far off shoreline. I turn back to my companion, and his face has taken on a tone of slight seriousness.
            “You know where we are, right?”
            “I... I’m not sure.”
            “Do you know when?”
            “No.”
            “Why do you think that is?”
            “Because I’m not here.”
            “Where are you then?”
            “Nowhere. A white room.”
            “How long have you been there?”
            “I have no clue.”
            “Will ever you be free?”
            “Yes, but I’m not sure any of me shall be left to feel freedom.”
            “How did you survive before?”
            “When?”
            “Forever into your past where you can reach. Everyone always tells you all your mind allows, and yet when have you been free, you, the last of the free men?”
            Then the white is there again and the buzz and I try to focus again.
            And I can’t and I can only see what I see, not what I know is there.
            I try not to get lost, try to be as not this room if it is truly a room and not itself a hallucination
            and with this thought it all goes lost to the the ether and the void and the meaningless meaning of it all and I am christ upon his cross condescended down upon by the man in washington as the poor all look up and I look down and it all comes around and back again as the start and again timeless and deliverance forever after dying as we began and as we loved and fucked and prayed as the we all fall in love with our internal notion of death and we let it withhold it and I’m seeing and witnessing and becoming in the beginning and the inevitable heat death of
            the universe as it is always and forever
            forgot
zion a million men chase after but the hooker down the block tells you it’s here baby just a few dollars
            then the girl she walks out on me as a car flips over and over and over an embankment
            blood entombs us as in death
            I see flashes of reason in the un-time before and after
            and I feel a million little needles all stuck into me at once
            steve mcqueen stands before a judge and mutters about a wasted life tom hardy nude wrestles guards as covered in grease paint and malcolm mcdowell his eyes pried open and does he see what I see?
            the gun and I feel its weight in my hand again and this time the blood is mine
            I see his family crying at the trial
            then I’m in a river somewhere and it’s nighttime and I’m walking out into the current and it covers my mouth and then it’s within my nose and then it’s my eyes and they burn and scream out for me to stop and then
            wait
            lost again
            the beginning
            There must be a beginning.
            The white. The buzz.
            And then I stare into the white and I know not for how long I stare.
            Maybe I sleep sometimes but if I dream maybe I’m awake and if I see black maybe I’m dead.
            This time, I go about it differently, rather than finding a world, I construct one, from the white, from the darkness behind my eyelids, from memories and movies and old songs. And my world gradually takes shape.
            First a beach, at night, islands in the water towering up in rocky stone capped in tropical greenery then the beach itself, lit by a thousand burning lanterns, hold onto them, the light, then stars above, paint the Milky Way - no, Andromeda, can’t tie this world and the past together too tight, must build a new world free. The stars, so many, vast swirls of existential universe, an exposure painting cast against the black, a million worlds to explore all within the confines of this world constructed from nothing.
            Then a roof and the walls to match, harsh, modernist lines, concrete, glass, steel, within articles of basic comfort, a bed and table. Not much, not at first.
            Then I draw myself slowly unto the world. Arms and legs and a body, but not the one I was born with but the one always desired, not perfect, but close, beautiful and strong.
            I try to hold myself to the world, feel it, breathe it, paint on the scent of saltwater, plant life, something cooking... somewhere, and behind the house now, a small jungle, but wait, a road through it, and a motorcycle, old and expensive, something else better than the world I had. I think to myself I’ll have to learn what it feels to ride a motorcycle, learn it onto the basic properties of the world of my construction but first I must own the world.
            The sand, I feel it beneath me, under foot, sliding, cool, what does sand feel like, how does it behave?
            I walk for a while. I’m not yet sure how long a while is. I know I’ll have to have days and nights but this will come with time when I’ve come to understand time. As I walk, more islands form up around me, more stars in the sky, more lanterns, eventually create a town with a bay and boats and lights and I create people but then I see one of them and it looks at me and I turn back and hurry back to the house because I’m afraid of what a person who comes from me could be.
            Then I sleep. I’m not sure what sleep is in this place
            I see white then I see black.
            I dream but it’s all a dream and can one really fall asleep within a dream and dream anew?
            Eyes
faces
            pain
            love
            sex
            mine in hers
            And then there is sunlight and I awaken and look out the floor to ceiling windows I built and I see the sea once more, and from the night comes the waters gentle lapping at the shores illuminated now by a bright two suns in a sparkling rippled sapphire and I walk out my back door and take off my clothes - I don’t remember their creation but now I see and feel them - and I run into the water, feel it warm against my flesh, and I dive down and I see fish and seaweed and coral, a million kinds all there immediate for me and from me.
            Eventually I swim back to shore - I consider if I took a breath and realize I hadn’t because what is oxygen but an excuse? and once ashore I let my body lay under the sun and just watch the cloudless blue sky.
            I’m on the motorbike I made from my mind and, having never ridden a motorbike, I imagine the idea of it, half horse and half car, the dreamy proclamation of some friend long ago - “It’s like flying.” And that’s what it is, and each turn feels effortless, the dips and bumps in the road constructed naturally imperfect feel as nothing.
            Then I find myself in the town, the buildings painted bright, key lime and powder blue and salmon pink, the architecture soft lines, comforting to the modern harshness of my home. I look about in hopes of finding a path forward, and I see a little coffee shop with a sign in the window about “Free Pie Today” and I think why not, so I push open the door. 
            There is a girl at the counter, my age, give or take, long brown hair, skin tanned, green eyes.
            “Hey, what can I get you?” I sit down at the counter in front of her.
            “A coffee and a slice of pie.”
            “Sure... let’s see... blueberry with a scoop of vanilla ice cream?”
            “How’d you know?”
            “Heh, it’s an art.”
            “Some art. You read minds beyond pie?”
            “You know, I dabble.”
            “Oh yeah? Tell me about me then.” She slides me a coffee. It’s cheap and oily and it’s exactly what I need in me, the flavor reminds me of somewhere I once knew.
            “Well, let’s see... you were born in the west. Wyoming or Montana, probably. Maybe Colorado? But I’d side with one of the former. You were always unsettled as a kid. Born in the right place in the wrong century, or some such nonsense...” She looks at him. “That’s it, isn’t it - you wanted to be a cowboy. Wild Bill Hickock or some shit.”
            “Not bad at all. But how’d I end up here?”
            “Hmm, well, I’d guess you fucked up somewhere along the line. Forgot you don’t live in the old west. Came here to run away.”
            “Damn. Dabble? You could make a profession of it.”
            “Yeah?”
            “Sure.”
            “So what about you, you dabble in anything, other than trying to find an excuse to shoot someone?”
            “I’d like to think I’m a kind of artist.”
            “A warrior poet? Hah. Go figure.”
            “Laugh all you want... someday I bet you’ll end up with something I made on the wall of your shop here.”
            “We’ll see about that. So what, you a painter or something?”
            “Yeah, something like that.”
            “Well, I’ll tell you what - you paint me something, I’ll take you for dinner.”
            “That your way of asking me on a date?”
            “No way, I just need an excuse to redecorate.”
            Down the street, I find an art supplies store. It seems a little convenient, but then again, little seaside towns like this always seem to have their share of drifting artists. I also pick up some dinner - fresh fish from the market, take my bike back to the house.
            That night, I learn to paint again, like I did when I was still a kid back in Montana. It wasn’t just a line, about being a painter. It surprises me how naturally it comes back, but then, I suppose it should. I consider what to paint for her wall, but then I remember a herd of wild horses galloping under an endless blue sky under mountains of impossible dimensions, and I know.
            The next morning, I manage, somehow, to fit the canvas on the back of my bike, and, true to her word, the girl from the coffee shop takes me out to dinner.
            Time passes, days to weeks to months, and somewhere in there the girl and I start sleeping together, then she moves in, and through it all I’m painting more, getting better. And then the months become years, and, somehow, against it all, I, of all people, end up married. In the back of my mind is some life past, where I hated the very idea of marriage and called myself the last of the free men, and killed a man to protect such an ideal, but this is the lingering memory of a long dead man.
            I’m happy now, here with my pretty wife and my art and my house by the sea, the beautiful cliffs and the wonderful seaside towns. And I’m happy, but I’m bored.
            So one day I say to her that we should see another world, and that night, we lie under the stars twinkling away above, lanterns all among us, sipping good tequila right out of the bottle, my arm around hers, her head nestled against my bare chest. Above us, stars start to fall. And then she points upwards toward the heavens -
            “There. A million other worlds. Let’s go to the stars. Find your freedom.” And I look down at her, into her eyes that sparkle with the falling stars and flickering lanterns, and I kiss her perfect lips.
            In the morning we begin to build, casting the shapes of a rocket ship out of parts bought at the garage in town, and it slowly comes together, more days and weeks and it must be perfect because in it we shall have my freedom.
            One day we know it’s ready so that night we stand together among the lanterns, her face looking upwards to the stars and mine eyes looking downwards to hers because I’ve found now my freedom in her.
            We climb aboard and strap into our seats and I take her hand in mine as the thrusters engage and our bodies are pulled heavily downwards with the g-force and we greet the heavens, stars above and soon below and all around us.
            They are our beginnings and our endings and they are become us and we them, the whole profundity of existence laid out towards an imagined horizon, and as I see their beauty I see more everyday hers.
            We ride the stars for a time that feels immortal, in a place beyond day and night, sun and moon, the little mechanizations of the heavens that we call time as we stand on firm earth.
            And then I hold her in my arms and she looks at me and she smiles and I smile back and that’s what matters and
            wait
            no
            no
            no
oh god no no no
            white
            no
            and I see her face still and I try to hold onto it and her and I see her face and I kiss her and draw her in close to me and the white and I see her face
            a buzz
            slipping, she’s slipping, I can no longer feel her warmth against me but still I see her and the buzz is subsiding and the white is taking over and suddenly I feel something strange, impossible, weight hung down below my head and I try to move my fingers and no longer do they caress the beautiful girl, but they twitch barely at the end of atrophied muscles in a white room and
            no no no
            she’s slipping and I see her face and then I hear her once more
            “Go now and be free.”
            And then all I see is white but I feel my body restored to me and then the grips on my head are slackened and then a tall man wearing white is standing over me and he’s checking my eyes, my arms, my reactions.
            It’s a blur, it’s all a blur, the getting out, my possessions returned, a meeting with a shrink to make sure I’m what they made me and I am.
            And then I’m outside and the sky is not so blue as ever it was on my beach, the stars shine not with the infinite sheen of the heavens so created, the women not so pretty, and she’s gone.

            The usual processes of prisoner release, a halfway house, a job placement and I exist but so does God and Death and you don’t see them bagging groceries and exist is all I do because I can’t live here anymore, but then one day on my way home from the grocery store I pass an art supply store and I buy paints and canvas.
            On the yawning blank before me I see her face so I paint it and I find my hands captured by a deeper force as my mind in that white room and I paint a beautiful girl on a beach at night lit by a thousand lanterns looking to the stars and it comes natural and comes beautiful and then I paint more, each day and pretty soon I’m out of the halfway house and I sell a painting or two and I find a pretty town by the sea and I find a place and in the night I watch the stars and I paint what I see beyond the black and sometimes I see white and hear a buzz as I’m drifting to sleep but I know it’s not real, they told me when I came out it would happen sometimes but I’m not always so sure.
            And then one day I meet a beautiful woman and some day, as lines are starting to appear on my face deep and my hairs are starting to grey, I walk down an aisle and tell the woman I do, and after the wedding, I see a man I haven’t seen since I saw some aspect of him in a carriage in a world that’s not this one nor the one I made, and he looks at me with disappointment.