Sunday, 29 March 2015

17 | Alexander T. Damle

            17 days. We graduate in 17 days. I know because I count, I’ve been counting and will continue to count until that number drops to zero. In 17 days, I’ll never have to see this shuddering fever dream that we call high school again, in 17 days I’ll never have to deal with the collusion of muck and mud that is the constant in and out, over and over social vice, applied with a casual cruelty every moment of every day. In 17 days, all I’ll have is summer before I can finally leave this patch of scorched earth, trapped in it every day since birth, but thank Christ not till death, because in 17 days the next step of my life is leaving America behind and going to university in Scotland, because where better to escape to than the land of Robert the Bruce, William Wallace, and Bonnie Prince Charlie. In 17 days, all the years of humiliation and heartbreak, all the times we had to get our friends taken to the hospital so they wouldn’t slit their wrists, all the girls who turned me down, all the guys who threatened me, everyone who called me weird, laughed at me, wouldn’t even look at me, told me I was going to shoot up the school because I was such a fuck up, they’ll all be trapped in a past I’ll never have to return to. 17 days.
            Walking through the main hallway first thing in the morning is always such an experience, everyone sitting around just... waiting, talking, gossiping, laughing, making out, arguing, playing the guitar, forming their own brands of cool, but me, my eyes are on the ground, I don’t want a part of their cool, I’m better than that, or so I think as I wrap my trench coat tight around myself, oblivious to my self-satirical absurdity and pretension. I need to tell myself I’m weird, and I need to be weird, to justify the decade or so of universal hatred that has attached itself to me. I see my history teacher and he smiles at me, says hi, and I say hi back. I guess it’s nice to know my teachers like me at least.
            And don’t get me wrong, I’m not totally alone. I have my group, be as it may that we are forced together more through shared loneliness than any sort of real common cause. We don’t hang out in the hallway, we have a place all to our own, the green screen room, with an attached editing booth. We’re not supposed to be there outside of class time, but the film teacher has resigned himself to the fact that we’re not leaving anytime soon, after all, we’ve nowhere else to go.
            I push open the door to the room, and apparently I’m late because everyone is here already, give or take. The windows in this place are blacked out, casting the room into a perpetual state of evening. The expensive film equipment tossed about gives the place a cyberpunk sort of aura, straight out of Gibson, with the addition of all our angst and pimples.
            “Milo. Ever get a chance to read that story I emailed you?”
            “Not yet man, I’ve been busy?”
            “With what?”
            “I don’t know, school?”
            “Right.”
            Terrence - smart as all hell, with a drive to match. He doesn’t come from money, but that only seems to fuel him on, over his impossible drive to success, even if it’s quite clear, if given a real choice he’d be a writer before a lawyer, but life doesn’t grant choices. I know he’ll make it on the money front because he wants it, and he works hard enough that he can guarantee anything he wants. Except for love, that is, but he’s thoroughly convinced everyone, particularly himself, that love is the one thing he doesn’t want.
            “Hey man.”
            “Phillip.”
            “Did you get a chance to talk to Erika?”
            “I told you man, not interested. Also you know she’s in the next room, right? She can probably hear you.”
            “Fuck.”
            Phillip - quiet and shy, but that doesn’t make him anything approaching a decent person. He’s scrawny, pale, the Hollywood trope of a nerd, straight out of John Hughes. He’s depressed. I mean, we all are, that’s kind of the point, but he wears it like a badge of honour, always wanting the rest of us to pat him on the back and tell him it will be okay. If it’s not strikingly obvious, he’s not exactly my favorite person.
            “Hey Erika.”
            “Philip.”
            “You don’t look so great - everything okay?”
            “I... I don’t know. Something’s up with Dahlia.”
            Erika - she’s pretty and bubbly, but that doesn’t make her happy, in fact it almost makes her the opposite, always managing to draw the wrong kind of intention from the wrong kind of people, namely Philip, her avowed nerdiness on top of the cool girl demeanor making her manic pixie dream girl incarnate. For all the shit I give her, she’s my best friend in the world and I wouldn’t still be breathing without her.
            “Hey Milo, can you come look at this?”
            “Look at what Heath?”
            “This error I’m getting - I don’t know what the hell it means.”
            “What were you trying to do?”
            “Knock OSX off and install Mint.”
            “You know this is school property, right?”
            Heath - our unofficial leader, blessed with this title as much for his domineering stature as any particular function of personality. He probably has a slightly higher opinion of himself than warranted. He’s basically used this last semester of senior year to blow off any and all work. He doesn’t go to class, let alone turn in his homework. He’s Mormon, and that means after this, he’s going on a mission to Mexico, which I suppose is his excuse to not do anything. As the rest of us, he believes just surviving, just getting out, will save his soul.
            “Morning man, you want to see the new cut?”
            “Yeah, sure Joel. Are we going to be done by the deadline?”
            “You mean by five minutes before Mr. Vincetti comes in here asking where the hell our film is?”
            “Something like that.”
            “In that case I’ll tentatively say yes.”
            “Good enough.”
            Joel - he wants to be a director, and if he doesn’t make it at that he’ll be a bum, because movies are pretty much the only thing he’s thought about for the last four years, and, if film school goes according to plan, the only thing he’ll eat, sleep, and breathe for the next four, and all the years after that. For me filmmaking, more the writing and producing side, is a hobby and an elective credit, but I appreciate getting to work with someone so driven and passionate.
            “Hey. Uh...”
            “Hey.”
            “I’m having a lan party on Friday... You interested?”
            “Yeah man, that’d be cool.”
            Jonathan - I didn’t actually know we were talking. For years we were really good friends. He got me through some of my worst days. If I’m being wholly honest, I’d be dead if he hadn’t been there for me sophomore year. But then he started dating Dahlia, my ex, and I’m not sure from where the tension arose, but arise it did. Jonathan is without a doubt one of the smartest people I know, but just as Terrence seems to be willing his way to success, Jonathan is trying just as hard to do absolutely nothing with his life.
            “Milo.”
            “Dahlia.” And then she kisses Jonathan, holding out the act, seemingly for my benefit.
            Dahlia - my ex. My only ex, a relationship so catastrophic, so nihilistically fatalist, that it can hardly be called a relationship at all. During our few months together we never kissed, and when she broke things off, I did my damndest to ruin her life. The fact that we can be in a room together without killing each other is testament to her restraint. She’s another future law student.
            The bell rings, and I start to leave, though not before trying yet again to get Heath to see reason.
            “You coming to Stat?”
            “Nah man. I don’t think Ms. Sawyer even knows what I look like at this point.”
            “That’s your own fault, you know.”
            “Whatever man.”
            On the way to class I see her - the prettiest girl I’ve ever met, outside of movies and pornography. I don’t know the first thing about her, not her name, her grade, anything. We ride the same bus, and I can tell you her mom always drops her off and picks her up from the stop, driving an olive green Toyota Prius, and she’s always listening to music. This is all I know. I suppose I could talk to her, but then the mystery would be gone, and she’d be just another girl. Now, though, she’s a mystery, an enigma, a beautiful thing in my life to consider, to hold just out of reach, one of Gatsby’s green lights. I try to tell myself that when I get to university there will be tons of women like her, with exotic accents to boot. I try to tell myself I’ll somehow end up with one of them and everything will be okay, though I know it never will.
            After Stat is English, with Terrence. As we’re waiting for the teacher to start the class - she’s retiring this year and that 17 holds for her as much as for us - Terrence tells me something I don’t really want to hear.
            “You know Erika asked me out?”
            “Uh... what did you say.”
            “I said no... I guess I’m just not... I don’t really have time for dating.”
            “I don’t know man, I think you should give it a shot.”
            “It’s not worth it. I can date in college.”
            “Sure man, whatever.”
            I then proceed to zone out for the duration of the lecture - English comes pretty naturally to me, and I’m sure to let the teacher know how little of a shit I need to give to get straight A’s. Sometimes she’ll ask the class a question and, met with blank stares, I’ll let a silence hang in the air for a good thirty seconds, before opening with a deep sigh, then launching into a convoluted answer that answers her question, along with three she hasn’t yet asked. Everyone needs a hobby.
            Next, history. I love history, stories old and new, the whole human parabola laid bare before us, inscribed in ever shifting, ever changing, ever revised tomes of analysis, facts twisted and shaped and remade in the name of the present zeitgeist. Today, though, is exam prep, and honestly, I could not possibly give less of a shit. The teacher is letting us work in pairs or small groups, and I have the class with Erika, which provides us an opportunity to talk.
            “So. Dahlia.” I begin the conversation because one of us has to.
            “Dahlia.”
            “Yes?”
            “Well. You know how we used to be, like, really good friends?”
            “Yeah.”
            “I guess you’ve probably noticed for the last few months we haven’t been... been...”
            “Even looking at each other?”
            “Yeah, that. So I finally confronted her, asked her what was up?”
            “You mean you didn’t know?”
            “Not really. I mean, I thought it was something to do with Jonathan but I didn’t really...”
            “Go ahead.”
            “I just didn’t know what. So I asked her. She wouldn’t even talk to me.”
            “What do you mean?”
            “She just gave me this death glare and left the room.”
            “I don’t know. I can’t tell what’s up with that girl... I mean, ever since we dated...”
            “Oh come on, you’re not the center of the fucking universe.”
            “I know but, I mean, the way I treated her.”
            “Jesus Christ. This wasn’t supposed to be about you.”
            “Fucking hell. Sorry.”
            “Yeah. Yeah, I know, you’re just trying to help.”
            “What do you want me to say then?”
            “I don’t know. I just want Dahlia to be my friend again.”
            “I’m probably the last person to talk to about that one. Have you asked Jonathan?”
            “He’s a total dick, and you know that.”
            “Have you considered that maybe that attitude is why his girlfriend hates you?”
            “Fuck off.”
            “Whatever. Do you want to maybe actually try to study for the final now?”
            “Fuck that.”
            And so it goes. Another history class wasted. Every day, I know I have fewer and fewer history classes to waste, up until I start university and can focus on history full time, preferably with fewer mandatory study periods for me to sleep through. And potentially less bullshit teen angst.
            Lunch is just another opportunity to hang out in the green screen room - I haven’t been anywhere near the cafeteria since the middle of Freshman year, and I’d prefer to keep it that way.
            On the way back to the room, Erika splits off to talk to someone, and I run into Phillip. I always dread our little chats.
            “Hey Milo.”
            “Phillip.”
            “Look, about Erika.”
            “I told you man, she’s not fucking interested.”
            “I know. I get it... I just...”
            Oh no. Oh shit. Time for another Philip monologue on how he’s uniquely alone, uniquely cut off by the world as a whole, as a direct result of him being just such a nice guy.
            “It’s just that... I met someone this weekend, and we had coffee and... she’s going to be going to my college... and I don’t know. I just wanted to make sure everything is cool with Erika. I mean, I just wanted to make sure she gets that I’m over her, and I just want to be friends.”
            This is about the polar opposite of what I was expecting, but it makes me happy. Phillip deserves a little luck after all the constant rejection. I guess I’d been selling him short, prejudging the conversation off my own internal bias. Well, this is certainly a useful way of cutting down on the constant maelstrom of drama, self loathing, and suicide attempts that seem to be a constant part of our little circle of personality disorders, Philip falling in love, I mean.
            As soon as I get to the room, I walk into the editing booth, see Joel there scanning through the timeline of our film, looking for the little fuck ups that always seem to bring down projects like this. This year we’d decided to go and do something ambitious, make a full length film with high school students as the cast, using the minimal equipment available to us, and the little money I made from working as a janitor, and now, after months of fighting and stressing and thinking the damned thing was doomed, there it sat in editing, right in front of me, just ready for us to call final cut and export the thing. The culmination of the life long dreams of two men, our film, our twisting, arching story of teenage love and suicide, of the tragedy and angst and passion and drive and quiet rebellion that had made up our own lives for years. Everyone had watched us with eager anticipation of our great fall, but yet here we stood, proud.
            “Well, man, this is it. We made a movie.”
            “Yeah Milo. It’s... damn.”
            “I was pretty sure for a while there it wasn’t going to happen.”
            “We got it though.”
            “By the luck of the devil.”
            “So what do you think- you going to try to keep making films in Scotland?” I think for a moment.
            “Nah man, I think this scratched my itch. I’ve lived that dream. I think I’ll write a book next.”
            “Well, good luck with that, I guess.”
            “Yeah, well, I’m sure this is just the start for you.”
            “I hope so.” I stare at the screen for a while.
            “I still can’t believe we actually did it.”
            Jonathan walks into the room.
            “You guys finish?”
            “More or less, I’m going to run through it a few more times, but, yeah, I think so.” Joel looks happier than I’ve ever seen him. I take Jonathan aside.
            “Hey man, are we cool?”
            “What do you mean?”
            “I don’t know, it’s just seemed like, lately, with you and Dahlia...”
            “You don’t own her, just because you dated sophomore year.”
            “I know man it’s just, I don’t know. It feels weird for me. You know how long I was into her before we actually went out.”
            “Yeah, I know man.”
            “I’m glad to see you two happy together, though.”
            “Thanks. It... it feels pretty good. To share... to share everything with someone like this.” I smile at him. He walks out, and I see Dahlia standing there. I shut the door to the editing room, and I sit down next to Joel as he hits play.
           
            The final title card comes up, Over the Horizon. It’s a little sappy, a little sentimental, but that’s the point, I think. Because despite the sentimentality, it’s raw, a brutality of emotion. It may not be the best film ever made, sure, but it’s an honest one, and that’s really the most I could’ve hoped for. I get up, head to take a piss.
            As I step out into the green screen room, I look around, see Phillip talking to Erika.
            “...and you know what, I just feel happy, really, truly happy, and I think this is the first time in my life I can honestly say that...”
            Dahlia and Jonathan are holding each other close, and outwardly I grimace, but inside I feel a warmth, a quiet happiness. I hear a snatch of muttered dedication from Dahlia.
            “...I’m really glad I have you...”
            Terrence and Heath are talking and both look happy. Heath puts his hand on Terence's shoulder-
            “...I know we aren’t handling this whole senior year thing the same way, but, in the end, what really matters is we make it through, past that, well, we’ll figure it out...”
            I walk through the hallway, see all the people talking, laughing, just being, and despite it all, my feigned resentment, my forced separation, I find a certain love for this place, for its honesty despite the posturing, for it’s fervent desire to just be, in spite of itself.
            Standing at the urinal, I notice the guy standing beside me, and it occurs to me briefly that I went to preschool with him, back in another life. I think about saying something, but I remember the great unwritten rule of men’s bathrooms. I go to the sink, wash my hands, lose track of myself, lost deep in my thoughts, turning my hands over and over in the warm water, thinking about the future, about the life I’m soon to have, wandering through the streets of an ancient city, meeting people from all over the world, finally deciding just what the hell it is that I want to be in this life.
            I leave the bathroom and I see, standing by herself, looking out the huge, two storey, floor to ceiling windows, at the plains rising to the mountains that tower all above this place, her, the green light, the girl whose car I know but not her name. I think to myself about all the years and months and days and hours and seconds that have built into this moment, all the struggle and fighting, everything I’ve been through, everything I’ve done, and I take a few steps towards her, then I consider all the rejections and how everyone says just keep trying, and I take a few more, I think of everyone who always called me a weirdo and a loser, and now I’m a couple feet away from her. I open my mouth and...
            I hear a crack like thunder and I see blood erupt out the side of her head as she falls to the ground, the moment stretched out towards oblivion in slow motion, and I turn to see a girl with an AR-15,  and I vaguely think I remember her from Physics as I take off running, got to move, got to make it, I hear more cracks and I am consumed by a fear of awesome power, got to make it to the room, the citadel, it’s saved me from everything else and by god it will save me now, screams all around me, people running, backpacks cast aside, my shoes skid across the polished tile floors, and I rip the door to the room open, and I look over the faces before me and I realize they don’t yet realize what’s going on, but I soon tell them and then they start to scream, and we lock the door and we all find places to hide, and I find myself in the editing room, hid under a desk, next to Erika, Jonathan and Dahlia across from us, them holding each other close, and I look to Erika and give her the biggest hug I can, then I simply say
            “Thank you.”
            I remember we have a second door.
            I get up, start to run, but the door pushes open with an impossible force, and I see Philip break for the opening, but he’s cut down, just standing then not, healthy then covered in blood. Life and death without pretension. The shooter comes towards me and I stare for an impossible second, the time it takes Terrence and Heath to sneak out behind her, and break into a dead run, as I throw myself back into the editing booth.
            I try to hold the door closed, but I cannot. As I see that AR-15 come through the frame of the door, I look to Erika and in her eyes I see death, and I try to run for her, even as the echoing cracks announce her fall, then the gun turns towards Dahlia, and I decide it’s time to do something, because what else can we do but something, and in that split second I see Jonathan decide the same, and we both rush the shooter, and Jonathan is on the ground bleeding and screaming, then he stops screaming, and somehow Dahlia makes it out the room behind us, and I look to the girl with the gun, and I open my mouth and I scr


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